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CHOCOLATE (Project K Radio Mix) 4:22
CHOCOLATE (Project K Mix) 7:30
CHOCOLATE (Project K's "Min Meets Trixie Trouble" Trance Dub) 7:10
LOVING DAYS (Project K Mix) 5:50
SLOW (Project K Radio Mix) 3:45
SLOW (Project K Mix) 6:10
SLOW (Project K's ElectroDub #2) 5:47
SECRET (TAKE YOU HOME) (Project K Mix) 5:08

THE PROJECT K CLUB MEGAMIX (Part One) 14:00
THE PROJECT K CLUB MEGAMIX (Part Two) 15:32

FINER FEELINGS (Project K Radio Mix) 3:12
FINER FEELINGS (Project K Mix) 7:52
FINER FEELINGS (Project K's Darker Feelings Dub) 5:56
BREATHE (Project K Radio Mix) 3:52
BREATHE (Project K Mix) 8:35
FRAGILE (Project K Radio Mix) 4:24
FRAGILE (Project K Mix) 6:20
DREAMS (Project K Radio Mix) 4:10
DREAMS (Project K Mix) 7:47
SAY HEY (Project K Mix) 7:18
SAY HEY (Project K's Dark & Building Dub) 6:01
THINGS CAN ONLY GET BETTER (Project K Mix) 8:37
THINGS CAN ONLY GET BETTER (Project K's Remember... The Dub) 6:32
ON A NIGHT LIKE THIS (Project K Mix) 7:53
DISCO DOWN (Project K Mix) 7:17
CONFIDE IN ME (Project K Mix) 10:11
BURNING UP (Project K Mix) 6:34
ENJOY YOURSELF (Project K Mix) 7:50
LOVE AFFAIR (Project K Mix) 5:14
COME INTO MY WORLD (Project K Mix) 8:53
WHAT KIND OF FOOL (Project K Mix) 7:36
WOULDN'T CHANGE A THING (Project K Mix) 4:57

CLICK HERE to download the PROJECT K ELECTRO-NRG MIX of
HEATON'S "FINER FEELINGS" (7:08)

© 2003-2004 www.projectkmixes.com
All Rights Reserved
"Kylie" logo created by Tony Hung
Concept & Design
Laurent Maurice

From: Salon.com

Dance pop grows up

Kylie Minogue's teasingly tantric "Body Language" and Sophie Ellis-Bextor's icily elegant "Shoot From the Hip" make Britney and Christina's over-the-top vocal gyrations look like child's play.

- - - - - - - - - - - -
By Charles Taylor

Feb. 10, 2004 | Kylie Minogue purrs her way through her new album, "Body Language" (Capitol). Even more than the beats or the blipping electronic riffs that pop up in the songs -- at times the album seems to be an homage to '80s pop in the way that her "Light Years" was the best disco album anyone had made in years -- it's Minogue's voice that you retain from "Body Language." The vocals here are breathy, nasal in a teasing, seductive way (the occasional double tracking heightens the seductiveness). She vibrates and elongates the last syllables of words before she lets them die away, like someone whispering a come-hither in your ear.

"Body Language" is terrifically sexy without resorting to the blatancy that characterizes so much dance pop. When you watch Britney and Christina et al. acting sexy, it all seems like so much heavy lifting. They work so hard at seeming sexy that you wonder how there's any energy left for sex after the performance. If they exhaust you, how frisky can they be? Even when Minogue is at her friskiest (as in "Red Blooded Woman," where she sings "let me keep freakin' around"), she knows how to hold back. You hear that less in the lyrics -- which have been carefully calibrated not to make her seem like just another hot-to-trot cookie ("Nature should explore the physical/ But don't confuse emotions with the pleasure principle") -- than in the determination to entice rather than overwhelm that defines the candy-coated vocals.

The fact that singers' voices are now just another part of the technology open to producers has been used to paint almost all pop singers as cogs who don't inject any sensibility or personality into the music. Typically of Kylie Minogue, there's nothing "personal" about "Body Language." But professionalism this slick has its own rewards, and the pleasure of "Body Language" is in hearing the little girl at play behind the sexy diva. Perhaps reacting to the commercial failure of her intriguing album "Impossible Princess," Kylie Minogue has, since "Light Years," declined to present albums as a radical reworking of persona or a personal statement (a relief, since most pop star statements have about as much distinction as a Barbara Walters interview). "Body Language" is simply Kylie's latest costume party, open to all comers.

Perhaps it's naive to talk about innocence in music this calculated and commercial. But there's no crassness in Minogue's calculation. Sure, she's got her own lingerie line, promoted each year in her official calendar, and each album comes with a little portfolio of sexy new photos. Maybe it's that she is still trying to establish herself as a star in the United States and thus we're not glutted with Kylie gossipy profiles. But the effect of that P.R. drought in the U.S. has been to make Minogue an anomaly among today's pop divas -- one who seems comfortable with rising or falling solely on the music.

She's chosen a great role model for this edition of Kylie's Dance Party: Brigitte Bardot. In the photos that adorn the booklet of "Body Language," Minogue has B.B.'s pile of lush, tangled blond hair (the type that looks like she's just gotten out of bed and is ready to get back in), her kohl-lined eyes and a teasing glimpse of gap-toothed front teeth visible between parted, pouty lips. The French-style striped jersey she wears on the cover accentuates the comparison, as does the photo of Minogue leaning against a Kawasaki that recalls the poster of Bardot in thigh-high boots straddling a Harley.

Aping the look of the greatest sex symbol who ever lived is a smart move. The poutiness and the self-involved playfulness of Bardot aren't equaled by "Body Language" (no one has ever equaled Bardot), but they are echoed. Minogue may play a kitten in the thrall of sex here, but there's always a sense that she's going to pick up her tresses and go home the way a kid will collect her toys after a playground dispute. "I'm going home/ I want my records back," she sings in "Someday," and you can't help feeling there's some honesty in not selling this as the symbol of liberation the lyrics imply but as a celebration of the horny petulance it is. That ties right into the ephemeral pleasures of this sort of pop music. It may not be grown-up music, but it's a lot more fun than Norah Jones' "Music to Eat Brie By," or whatever the hell her album is called.

The best track on "Body Language" is the first. "Slow" is stripped-down, dance-floor music and beguilingly strange. It doesn't provoke the "what the hell is this?" reaction that Kelis' great "Milkshake" does (another example of playground sexiness), but it is the kind of record whose quirks stick out on the first listening and then become the very thing you play it again and again to hear. Over a beat that never seems to escalate but remains steady, like a pot of coffee kept percolating at an exact temperature, Minogue does her best teasing yet. The chorus -- "slow down and dance with me/ yeah/ slow/ skip the beat and move with my body/ yeah/ slow" -- is broken up into breathy, insinuating little exhortations that work their way right into your brain and your body. The fun of the song is the way it doesn't pay off, the way it remains at the same level, the way Minogue keeps drawing you in with a sensual promise only to delay satisfaction again and again. She may have pioneered a new genre here -- tantric dance pop.

A flashback report

Kylie's seat of power

July 27 2002
Sydney Morning Herald

If Russell Crowe was Maximus, then Kylie Minogue is Gluteus, a woman as
famous for her rear end as her records. On the eve of her sold-out
Australian tour, Jon Casimir toasts her success.

In March this year, London newspaper The Sun sponsored a campaign to have
Kylie Minogue's rear end heritage-listed, preserved for "posteriority" on
the grounds that it's an Area of Outstanding Natural Beauty. The tabloid
invited its readers to lobby the government to make sure Kylie's "bum
remains in safe hands - by turning it into a national institution".

The heritage listing has not yet been confirmed (how, exactly, would you go
about preserving the area? Formaldehyde? Botox?), but The Sun is no doubt
still hoping, if only because the resulting story would provide another
excuse to run a circulation-boosting photo of Kylie bending over.

For The Sun, the heritage campaign was just another in a long line of
excitable Kylie stunts, coming only a fortnight after a story that suggested
Kylie had undergone a bum lift, secret cosmetic surgery to enhance her
pertness and "boost her appeal down under". Declaring its intention to
uncover the source of the lift rumour, the paper said it was "trying to get
to the bottom of the cheeky claims".

This week, Madame Tussaud's unveiled its new Kylie exhibit, a model of the
singer on all fours with backside provocatively raised. Such is the English
fixation with Kylie's rear view that chat show host Johnny Vaughan recently
commented that "if an alien landed on Earth he would think Kylie's arse is
the world's leader".

How quickly things change. Only three years ago, Kylie's career had its own
postcode in the doldrums. After her Impossible Princess album (retitled
Kylie Minogue for the Brits after Diana's death) stiffed in the UK, she was
written off by media and industry alike. Now she is England's most beloved
pop star.

And certainly, she is an English pop star. To consider what makes her career
work, you must first accept that she made one single, Locomotion, in
Australia before relocating to London. Nothing about her work - the sounds,
the styles, the fashions, the context - is Australian. We may love her and
she us, but we are not her core audience, financially or creatively.

The greatest career resurrection of recent times is most often attributed to
the pair of gold leather hotpants (famously bought in an op shop for 50
pence by stylist Will Baker) that Kylie wore in the video for Spinning
Around, her 2000 single. The song's clip, the closest TV has come to lap
dancing, did not pretend to be much more than a showcase for her rear, a
casting decision Baker defended by saying "Kylie's bottom is like a peach -
sex sells and her best asset is her bum." Kylie's dry reply was "You never
know what the future holds. It could become a pear."

Spinning Around went to No 1 in the UK, her first chart-topper there in a
decade. Since then, her career has exploded, moving beyond mere questions of
chart placings, units shifted, dollars banked. BRW estimated her 2001
earnings at $10 million, up from $2.1 million the previous year.

Here she is, at the zenith of her success, 15 years after it began, dropping
into Sydney to play six sold-out shows at the Entertainment Centre. After 40
weeks, her Fever album is still in the Top 10 and has sold more than 350,000
copies in Australia. Its lead-off single, Can't Get You Out Of My Head, went
to No 1 in 19 countries and even cracked the US top five.

Yet, though Kylie can carry a tune, she can't carry one far. And even Baker
was quoted last year as saying she can't really dance, though he later
denied the comment.

Neither of these flaws holds her back. Kylie works brilliantly within her
limitations. Name one other act, just one, a band or a solo performer, whose
comeback has been bigger than the initial wave of success. So how do you
explain her revival? Here are a dozen reasons:

Kylie loves the camera/the camera loves Kylie

Kylie tells a great story about the night she and her makeshift band of
Neighbours cronies played Locomotion live for the first time, at a benefit
for the Fitzroy Lions AFL club. After the song, someone told her she should
record it as a single. Her first thought, she recalled last year, was not
"I'd get to make a record." It was "I'd get to make a video."

Kylie understands the packaging necessities of the modern pop star. Like
Madonna before her she has, particularly of late, fashioned a career as much
out of canny media manipulation as musical nous. In her recent videos and
public appearances, she has carefully courted attention, knowing when to
push boundaries and when to pull back.

Kylie is sexy

Look, it doesn't hurt that she flaunts the bod but don't sell her short by
reducing her success to skin alone. For one thing, Kylie's sexiness is not
new. People have been commenting about her grown-up appeal since Better The
Devil You Know, the 1990 video that saw her abandon the perm and fairy floss
image for something more slinky and stirring.

What is new is the acreage of her flesh on display. The clip for Can't Get
You Out Of My Head featured Kylie in a hooded, white outfit split up the
thighs and down the torso. It left approximately nothing to the imagination
- her nipples had to be taped to the inside of the fabric to keep them away
from the lens.

What works for Kylie is not the fact that she's sexy but the kind of sexy
she is. After all, there are plenty of female singers trading on their
sultry looks. But Kylie is not a competitor with Britney; she's an antidote.
She's no panting, try-hard adolescent, all hot and bothered for the camera.

Kylie's sexiness is more contained and more of a game. Kylie delivers it
with a wink. She knows the bum fixation is pure 1960s England, the latest
manifestation of a never-far-from-the-surface fascination with knickers and
stocking-tops. She's a saucy seaside postcard. She's a Carry On gag. And
this is at least partly because ...

Kylie is tiny

At 152 cm, she's a whisker over five feet in the imperial measure. Her
smallness makes her overt sexuality less threatening. No matter how much she
bumps and grinds, she never quite seems aggressive or predatory. She is sexy
to men and non-threatening to women. Smallness also makes her seem
vulnerable. It helps her youngest fans relate to her. And her size makes her
a perennial underdog. It's easy to barrack for Kylie and her career - she's
the little engine that could.

Kylie really can act

As long as she's playing Kylie, that is. And don't think for a second that
Kylie is not a role (everyone close calls her Min; Kylie exists for the
public). Read any Kylie interview. She is meticulously self-deprecating. She
flirts, giving the impression of parting with confidences while never
actually offering much of an opinion - let alone a revelation - on anything.
Kylie presents as grounded, human and straightforward, never too big for her
boots. Kylie is pretty much the Queen Mother of pop: a woman with longevity
and the common touch, permanently in the public eye, ever gracious, ever
aware that without the support of the people, she is nothing.

All these things are no doubt partly true, but there is always a sense that
she is withholding another self. This probably goes back to her initial
mauling at the hands of the English press. Visiting South Africa in 1989,
the year before Nelson Mandela was freed, she made things worse when she was
asked what she thought of the situation in the country. "I think they should
stop killing the rhinos," was her reply. Since that gaffe, Kylie has exerted
an almost magisterial control over her persona.

Kylie works damn hard

It is, of course, possible to get to the top without talent. It happens all
the time, through various permutations of marketing, coincidence and happy
accident. But you don't get to stay at the top without having something. And
what Kylie clearly has is tenacity.

Read either of the two biographies published this year, Kylie: Naked and
Kylie Confidential. Everyone who works with her seems to comment on her
steely work ethic. She's conceded on many occasions that her "hideous
professionalism" comes before her life and has pushed herself to breakdown
point more than once.

Kylie found her irony

For a long time, it appeared that Kylie had no sense of humour. Then, in
1996, with Nick Cave urging her on, she took the stage at the Poetry
Olympics in London and recited, with mock seriousness, the lyrics of I
Should Be So Lucky. Subsequent live tours have included torch-song versions
of the single. Kylie learned to laugh at herself, to embrace the kitsch part
of her career for which her fans maintain affection. Now that she knows that
we know that she knows it's all just pop music, the whole shebang is a lot
more fun.

Ambition first, ego second

After breaking away from the Stock, Aitken and Waterman hit factory in 1992,
Kylie set out to find herself as an artist. The wonderful Confide In Me
single was an early flowering, but it was Impossible Princess she really
poured herself into - the first time she really committed her thoughts to
paper, declared herself in the lyrics (Will Baker says anyone wanting to
understand her should read them).

The fact the Big Personal Statement tanked (it performed respectably here,
but disappeared in the UK) could have destroyed a bigger ego, but Kylie
appears to have taken what she could from the experience and moved on. If
confession wasn't what the people wanted, then she'd give them what they
did. Which leads us to ...

Kylie has come full circle

Kylie has used her hard-earned pop puppet skills to fashion her recent
career. In essence, she has become her own puppeteer. She's a packaged,
marketed, targeted commodity again, but this time, the calculating is all
her own.

Here she is in 2002 offering what is essentially the music that made her
famous: upbeat, uplifting pop. Make no mistake, her new songs have a greater
hip quotient but the same old formula: tunes you can hum, cheerful
sentiment, unchallenging lyrics.

She is fluffy Kylie again, showgirl Kylie, good-time Kylie. In a recent
attempt at derision, David Bowie labelled her a cruise ship entertainer.
Yes, and his point was?

You can't beat good songs. Spinning Around was written by Paula Abdul for
her own, aborted comeback. Kylie snapped it up and the rest is history. And
when you choose songs rather than write them, as Kylie does, success breeds
success. With every degree your star ascends, the choice improves. Right
now, Kylie will have her pick of the work from the best songwriters around.

Timing. Oh, and September 11

Kylie suits the new millennium. Good-time pop music is what sells right now.
Post-September 11, this trend has been even stronger. We're looking for
things that make us feel better about ourselves and our world. That's part
of the reason the World Cup soccer was so huge and it's part of the reason
Kylie's surge continues. She combines forward-looking optimism with
comfortable nostalgia. Her current career phase will last as long as these
values are saleable.

Kylie's gay audience

While it's true that Kylie's gay audience has been incredibly and
impressively loyal, it's not the audience as much as the aesthetic that is
most important. To look at Kylie now is to see a drag act. She has never
lost the sense of being a little girl playing dress-ups, vamping and pouting
for all it's worth. The Fever tour includes: torch singer Kylie; New York
cop Kylie, Barbarella Kylie and geisha Kylie, to name but a few.

The X factor

In the end, there are always indefinables. Stand a few feet to the left and,
when the bus crashes, it won't hit you. Kylie's career is a triumph of X
factor. Though there are many reasons for her success, they never add up
neatly. As she has charitably pointed out, there are buskers with more
talent. You need luck, you need timing, you need to know what to do when a
door opens.

The derriere

OK, it has to count for something. Though Robbie Millen writing for The
Times recently observed that "her bottom will go the way of the Empire:
overstretched and financially packing less of a punch, it will decline and
fall", you'd have to bet it has a few years left in it yet. Kylie herself is
clearly aware of its power. She's been selling underwear at her shows for
years. She told the Sunday People, in her usual modest fashion, that her
bottom "does what it's meant to do and it's in fairly good shape". At least
all those hours in the gym aren't being wasted.

When the Fever tour began in Cardiff at the end of April, The Mirror's
scribe, Richard Smith, amused himself by counting all the bum wiggles in the
first show. He came up with a figure of 251, noting that Kylie averages two
a minute and "even has two sorts of moves. Wiggle One is a full-on seductive
sort whereas Wiggle Two is made up of a short, sharp hip thrust".

And you always thought Wiggle Two was the purple one who sleeps a lot.

Musicsquare.net - Updated biography with video links...: "Click here to watch Kylie's career changing performance!"

Musicsquare.net - Artists - Kylie Minogue - Biography: "

Before 2002, for those within the United States, she was best known for her 80s dance hit 'The Locomotion'. But, for the rest of the world, Kylie Minogue produced a string of hits throughout the 80s and 90s that caused her to transcend mere pop-tart status and take her place at the right hand of Madonna as the international Princess of Pop. She was the best selling female artist of the 90s in Europe and has had more #1 singles in the UK than any other female singer. Then, in 2002, her groundbreaking dance album Fever immediately shot up the charts with the help of the infectious single 'Can't Get You Out of My Head' and a career changing performance at the Brit Awards 2002. It was with Fever that Americans FINALLY got to see what the rest of the world already saw in Kylie, a musical force to be reckoned with! "

The Sun Newspaper Online - UK's biggest selling newspaper
http://www.thesun.co.uk/article/0,,2-2004173457,,00.html

Kylie is a little terror

TEACHERS were warned yesterday to watch out for pupils called Kylie — because they are often trouble.

Charlenes and Kyles also top the mischief list, while Timothys and Elizabeths tend to be angels.

Behaviour expert Sian Luscombe told the teachers’ union NASUWT in Llandudno, North Wales, that parents should attend naming classes.

She added: “On my long referral list there are very few Elizabeths, very few Timothys, several Kyles and lots of Charlenes and Kylies — spelt in many ways.

NEWS.com.au | Entertainment

Dress sparks Kylie baby talk

April 13, 2004

IS SHE or isn't she? London newspapers are in a tizz over whether Kylie Minogue is pregnant.

A 'tent-like' dress worn by Kylie during a concert in Rotterdam on the weekend was further proof she was expecting a child, according to the Daily Star.

It quoted a concert organiser as confirming Minogue was 'concealing a bump'.

Further evidence, the paper said, was that Minogue had cancelled a trip to Las Vegas, telling organisers she didn't want to fly too far.

Other papers hinted at 'Kylie's secret'.

Minogue has had a 13-month relationship with French actor Olivier Martinez.

Hollywood beauty Angelina Jolie yesterday denied rumours she tried to steal Martinez from Kylie during a steamy shoot in Canada last year.

Reports had Minogue making a dash from her London home to Montreal after photos showed Martinez, Jolie and her young son, Maddox, watching baseball.

'I can explain that,' said Jolie.

The baseball game was a night out for the cast and crew, and clever cropping of the photos by magazine editors turned it into a juicy story.

Herald Sun

Women who clean their homes the most are the dirtiest in bed! - Newindpress.com

- PEOPLE & LIFESTYLE April 11, 2004

Women who clean their homes the most are the ‘dirtiest’ in bed!

Sunday April 11 2004 00:24 IST
ANI

LONDON: Appearances can be deceptive! New research has revealed that women, who clean their homes the most, are the ‘dirtiest’ in bed!

According to a report in The Sun , a survey of women aged 20-40 found more than half of those who spend ten hours a week scrubbing, want sex at least once a day.

Those who spend 15 hours or more on their hands and knees in rubber gloves are insatiable. One in five surveyed also admitted having a sexual fantasy about a hunk man interrupting them while they clean.

However, women who rope in a cleaner to do chores are likely to be bored in the bedroom and three quarters of them get down and dirty less than once a week.

The discovery comes in the wake of Aussie singer Kylie Minogue admitting to the fact that she loves dusting. "I get my Marigolds on and have a fantastic frenzy," Kylie, 35, said recently.

Has Olivier put Kylie in the Pudding Club?

Webindia123.com: "News >> Entertainment

Kylie Minogue is keeping mum on motherhood

Sydney | April 05, 2004 4:42:11 PM IST

Kylie Minogue is keeping mum on her motherhood rumors.
According to The Herald Sun, the Aussie pop diva, who is probably pregnant with French film star Olivier Martinez' baby, has told her publicity agents to keep the story under wraps until she is sure 'all is going well'.
'She's been preparing for it for months, making sure she is eating the right things. She's given up drinking and has been taking folic acid to help her get pregnant,' a friend of Minogue was quoted as saying in the report.
The pair enjoyed a break together in Paris last week after a hectic schedule, the report added. (ANI) "

"So Stupid" controversy

DAILY STAR (UK) 25th March 2004:

KYLIE'S RANT IS AN E-HIT [it looks like they took down the website. But a video awith audio of the track is linked below.]

by John Hawkins

A NEW Club song featuring Kylie Minogue blasting a radio DJ who asked her if she had plastic surgery is fast becoming an internet favourite.

The track, So Stupid, is spreading worldwide through e-mail inboxes.

It includes DJ Tony Wrighton repeatedly asking: "Have you had any plastic surgery done?".

This is followed by soundbites from what Kylie thought was an off-air rant.

Kylie, 35, blew her top at the suggestionmade by the manchester-based DJ on Century FM.

"Abrupt"

After the interview was brought to a halt, Kylie - unaware the tape was still running - laid into Wrighton, telling staff : "Could you hear what he was saying ?" "Is he retarded ? I mean is he meant to be kind of funny or what ? I am stunned.

What if it was live ? They shouldn't play any of that. Oh my God."

"I am so shocked. This is stupid.

I gave him another opportunity and he asked: "Have you had any plastic surgery ?"

"Oh my God. I can't help thinking about it."

Kylie is now said to be furious her blast has been leaked on the internet.

[There's a pretty funny video montage with the full track here. They shouldn't play any of that.]

Is Kylie Minogue pregnant? - The Times of India:

Kylie Minogue pregnant?

PTI[ SATURDAY, APRIL 03, 2004 08:46:45 PM ]

WASHINGTON: [Washington! Why Washington?] Pop diva Kylie Minogue has fuelled speculation that she is expecting her first child after reportedly being spotted buying a pregnancy test kit.

The 'Can't Get You Out Of My Head' singer, 35, is currently dating French movie hunk Olivier Martinez and recently disclosed her dreams over motherhood.

According to IMDB [Internet Movie DataBase?], eagle-eyed onlookers observed the happy couple leaving a pharmacy in Paris with a small package, which insiders claim was the all-important testing kit.

Kylie and Martinez have been inseparable since meeting at the Grammy Awards in 2003.

[rubbish, as usual]

Webindia123.com: "News >> Entertainment>

Kylie Minogue says she's not getting married!

Sydney | April 02, 2004 3:33:54 PM IST

Pop sensation Kylie Minogue and her French beau Olivier Martinez will not be making a trip down the aisle any time soon.
Earlier reports quoted a supposed friend of sister Dannii as saying that Kylie and Olivier would marry in Paris, Sydney or Barbados in July, according to The Herald Sun. But now, on her website, Kylie has put a stop to all the rumours and confirmed that she is not engaged.
The website also denied that little sister ever made the comments and that they were completely fabricated. (ANI) "

The Sun Newspaper Online - UK's biggest selling newspaper

Kylie: I'm a scrubber

Looking good ... Kylie Minogue
Pictures: MARK ABRAHAMS
[See original to] Click picture to enlarge
By SHARON HENDRY
Sun Woman Editor

SEX goddess Kylie Minogue has revealed she loves to hang up her hotpants and wear an APRON.

The pop queen is sacrificing a world tour for time out with actor lover Olivier Martinez — and says housework is a favourite hobby.



Scrubber ... as Mrs Mopp

Kylie, 35, said: “I like to clean my cupboards. Hours go by. I do like a good dust. I get my Marigolds on and have a fantastic frenzy.”

The star is pictured in raunchy stage outfits and how she might look as a Mrs Mopp.


Raunchy ... backstage look

She decided not to go on the road this year because she is madly in love with French heart-throb Olivier, 38.

She told Elle magazine: “Meeting someone I really want to spend time with has changed me. He’s lovely.”


Elle ... on sale tomorrow

THE full interview appears in the May edition of Elle, out tomorrow.

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